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Sleepover Party Mix – Product Description
Tracks: 1. Our Lips Are Sealed two. Consider Me Away 3. With You 4. My Happy Ending 5. Tomorrow 6. Drama Queen (That Lady) 7. Figther eight. Breathe nine. Depart (Get Out) 10. Breakaway eleven. Items of Me 12. This Is My Time 13. Trouble 14. Everytime
Infernal Overdrive at O’Brien’s, Allston MA, Jan 16 2010
Cheer music mixes
Paraphrasing Infernal Overdrive’s Facebook page:
Red Lender, NJ
Modest Stone Data
Infernal Overdrive is a heavy rock and roll band shaped in early 2008 when Marc Schleicher (fmr. Quintaine Americana [Wikipedia, MySpace, AllMusic], Cracktorch [MySpace], Antler, Liquor Tricks [MySpace]) of Allston , Mass. began jamming with Mike Bennett (fmr. Loud Earth [Reverb Nation, Facebook]) in Red Financial institution. Quickly they received Wealthy Miele (fmr. Loud Earth [Reverb Nation, Facebook]) on board playing second direct guitar. Throughout some of their early exhibits, Jake Metz (Godzero [MySpace]) joined the band on bass, but he was soon replaced by Keith Schleicher.
Their audio is a blend of their traditional influences this sort of as Led Zeppelin, Blue Cheer, Totally free, Grand Funk, Cactus, Deep Purple and Pink Floyd and more modern heavy bands like Kyuss, Nebula, Soundgarden, STP, QOTSA and Monster Magnet.
Rumors abound that someplace in the depths of New Jersey time stands even now and it is constantly 1977. Trapped in this interstellar time warp, creating electric amageddon is Infernal Overdrive. Fronted by the mysterious, oft reckless Marc Schleicher (Cracktorch [MySpace], Quintaine Americana [Wikipedia, MySpace, AllMusic], Antler) – a Boston native transplanted in time and space to this 4th dimension – summoned by the all-strong duo of Mike Bennett and Abundant Miele of Loud Earth [Reverb Nation, Facebook]. Immediately after a treacherous research to locate his long lost brother, Keith Schleicher was sucked into the vortex to fulfill his destiny on bass guitar. They journey in the very last of the V8 interceptors, proving themselves worthy of the Tiny Stone pedigree. Forces to be reckoned with on their very own, as a team their speculate team powers activate to kick into Infernal Overdrive.
Armed with their wits, New Jersey dialect and a passion for surviving the likes of the Tall Gentleman, flying orbs, large sharks, the Turnbull AC’s and an occasional family members of albino zombies, Infernal Overdrive will be coming to an location near you soon. Can you dig it?
Red Financial institution, NJ
Artists We Also Like
Cortez, Maegashira, Monster Magnet, Roadsaw, Pigs, The Introduced Very low
Review by The Obelisk / Stoner Rock:
Infernal Overdrive Kick into Gear
With production by Andrew Schneider (Throttlerod, The Introduced Low, Hackman) and learning by Nick Zampiello at New Alliance East in Boston, there is no doubt that New Jersey riff rockers Infernal Overdrive are likely for that Small Stone Records sound. The 4 tracks that comprise their new self-titled EP drop in line with the kind of simple guitar-led rock the Detroit label has proffered for well more than a ten years now, and with a similar southern/classic ‘70s influence to New York’s The Introduced Low, Infernal Overdrive look remarkably conscious of what they’re performing sonically. Much more so than you may possibly expect for a band just releasing their 1st EP.
The story goes that when guitarist/vocalist Marc Schleicher (ex-Cracktorch [MySpace], Antler) moved from Massachusetts to central New Jersey, he received hooked up with drummer Mike Bennett and guitarist/backing vocalist Rich Miele (the two ex-Loud Earth [Reverb Nation, Facebook]). Keith Schleicher (relation assumed) was extra on bass and Infernal Overdrive commenced rocking out early 2008. The EP was recorded more than two times in February and 4 in April, and although that looks fast, none of the songs feels rushed or underdone. Schneider, who also shows up on added backing vocals, tends to make his mark audio-sensible in the tone of Schleicher and Miele’s guitars and Bennett’s snare sound, which has the very same pop Schneider has turn out to be recognized for – not also vivid, but able to cut by means of the combine and propel the tunes ahead. Some of Schleicher’s qualified prospects, as on EP closer “Motor,” truly feel a small too believed out, too structured in which what I’d like to hear is a minor bluesy ‘70s recklessness, but they get the occupation completed nonetheless, and the vocals are never ever out of area.
Despite the fact that the highway for which it’s called runs down via the total East Coastline, there’s no question that when Infernal Overdrive open up the EP with “I-95,” they are speaking about Jersey. The tune is a southern-hued guitar rocker that sets the tone well for the three tracks that comply with with an ear towards rock traditionalism and, as soon as again, like-minded Modest Stone large-hitters Sasquatch, Dixie Witch, et al. It’s hard to argue with the approach when it performs as properly as it does on the fast “The Edge,” which forgoes central Jersey’s status for large psychedelia in the fashion of Monster Magnet in favor of Halfway to Gone’s stripped-down get on rock. “Duel” slows down the rate relatively but nonetheless retains a mid?paced groove that makes use of some nicely?positioned lead lines that start the song reminding me of Iron Maiden filtered by means of Nebula’s druggy haze. Only “Motor,” which devolves into an prolonged jam that provides the monitor to a full of just underneath twelve minutes, is extended, as the tunes on Infernal Overdrive go in purchase from shortest to longest. No matter whether or not that’s on purpose on the portion of the band, I don’t know – I’d picture at minimum placing “Motor” last is – but I suppose it’s as good a method of organization as any.
There is a brief communication from the Devil following “Motor” finishes up, and that’s the stop of the EP. Infernal Overdrive are out relatively quick when you consider their first release is only 26 minutes and a few of the 4 songs consider up about eleven of it. No complaints although, as the four-piece know specifically how to get the most out of their sound and display exactly that on these tracks. It is a hell of an expense to make with a self-launched debut to hook up with the likes of Schneider and Zampiello, but Infernal Overdrive make the most of Schleicher and co.’s gathered experience, and arrive off sounding assured and notably mature for a band who’s been collectively a lot less than about three several years. It could not be modifying the match, but Infernal Overdrive is absolutely really worth checking out for anybody who would like to hook into some strong and unpretentious hefty rock.
Assessment by Cutting Edge Rocks:
A few many years ago we reviewed a robust up-and-coming Jersey band Loud Earth [Reverb Nation, Facebook]. Nicely, it seems they dissolved and morphed into Infernal Overdrive. The new band is two elements Loud Earth [Reverb Nation, Facebook] (drummer Mike Bennett and guitarist/backing vocalist Prosperous Miele), 1 part Cracktorch [MySpace], Antler (guitarist/vocalist Marc Schleicher) and one portion brother (bassist Keith Schleicher). Mike contacted me allowing me know the band shaped after Marc relocated from Boston and set up shop in Jersey. He sent along the EP for my listening satisfaction. And a enjoyment it is! The songs are baked in southern ‘70s challenging rock with catchy riffs and plenty of strength rumbling in the pipes. The information is sketchy but according the record’s liner notes, the 4-song EP was recorded this 12 months in Brooklyn, NY more than five days (Feb 27, 28 & April 17, 18, 24, twenty five). Production was dealt with by Andrew Schneider (Throttlerod, The Brought Very low, Hackman) with mastering by Nick Zampiello. Followers of our internet site will instantly make the Small Stone relationship and that looks to be where the band are heading as the vibe is defiantly Detroit retro.
Just take for instance “I-95” which opens the disc with a sound guitar wail and foot-stomping drum beat. Tambourine is extra for taste but the tune bellows like fellow Boston-natives Roadsaw, mixing biker thunder with a Pat Travers/Leslie West riff-fest. 2nd monitor, “The Edge” is pure aged university Nugent, including the repeat riff and frantic, nearly MC5 delivery. Schleicher voice is ragged and all set to rock. The drums hammer and the bass drives laying down a reliable bed for some hot solo qualified prospects. “Duel” has far more Fu Manchu in the groove. It’s mainly in the chorus, but the build in the verse is even now extremely Scott Hill/Brant Bjork. The monitor also boasts our beloved solo – frayed, not about played and sparked with cosmic energy. “Motor” is a 13-moment stoner masterpiece. A heavy bottom end provides to head Sabbath, Sasquatch and Mountain. The riff is clear but thick with a layered solo painting in all the tiny nuances – perfect for a psychedelic ride. The echo on the vocals provides to the tunes dripping mysticism although the guitar is permitted to float, pierce and melt the mind. Yeah, it only four tunes, but dude, sometime that is all you need when they’re this excellent.
Assessment by Large Planet
I lately had a opportunity to hear some new materials from thee guys and I am going to explain to you appropriate now, this is a band to be on the look out for. They’re heading spots. Their audio is straight up southern stoner rock. If I had to evaluate them, I’d say they’re a little bit harder version of The Introduced Lower. Checkout the usual social press spots (links under) to hear what I am chatting about and keep up to date with all their happenings since you are going to absolutely be hearing from them once more.
Wedding Music: Areas And Options
Write-up by Palmerin Katos
Wedding Tunes: Places And Alternatives
There will be music played throughout the day at your wedding. Some places you will want to keep in mind to organize music for consist of the time period of time as the attendees begin arriving at the ceremony venue, special tunes for the recessional and processional, special songs as the wedding get together indications the marriage license, some audio for following the recessional is complete, audio whilst visitors arrive and begin mingling at the reception venue, history tunes during the reception dinner, any audio for the formal reception presentations, and eventually the songs you will be dancing to.
For each of these selections, you will have to choose if you want to go with a reside band, a DJ, a blend of your very own songs, or a mix. Most individuals determine on a mix, with every spot obtaining a diverse therapy.
As attendees enter the ceremony venue, songs is best handled by obtaining an organist or a pianist actively playing songs as they enter the main auditorium. This is by no means concrete, and you may also pick to just have a Cd enjoying in the background.
For the processional, you may once more pick among live audio and recorded tunes. The processional really should be mainly instrumental, and there are a lot of tunes to choose from. Most processional tunes are kinds that are originally recorded utilizing instruments only, and are usually classics this kind of as the common Canon in D.
The musical selection must modify with the entrance of the bride, and however “Listed here Will come the Bride” remains the most popular selection for the bride’s wander, a lot of brides are beginning to choose their songs as an illustration of their individual tastes. Once again, the tune choice ought to be one that does not contain words in the first creating.
As the bride and groom and other people sign the marriage license, most weddings will incorporate a special amount by a live singer or group and some accompanying instruments. The song option ought to reflect the emotion of the instant, as two lives are joined collectively in harmony by free of charge will.
The recessional offers a fantastic option to choose a enjoyable tune that displays a festive disposition as well as the tastes of the couple. The recessional represents the instant that the couple is initial introduced as staying married to the public, and there will often be clapping and cheering. Have some exciting with the second- some songs that I have recognized couples to pick contain “Winnie the Pooh”, a punk version of “Earth Angel”, “Rock the Kasbah” and “Oh, Boy!” by the two Buddy Holly and MXPX.
At the reception, you will want to make positive you have a sound system set up that is ideal for your chosen songs. There must be audio played as visitors come in and for the duration of dinner, as properly as any prepared performances in the course of the formal plan. After the plan, it is time for the tunes to be turned up and the dancing to start.
The bride and groom ought to select the audio for both their 1st dance collectively and the 2nd dance, which will be with the parents. These song options are absolutely up to the discretion of the few.
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